Traversing cinematic representations of borderland identity and belonging

In dialogue with Randa Maroufi and Bab Sebta (Ceuta's Gate)

Författare

Nyckelord:

film, art, borders, border studies, critical border studies, smuggling, smugglers, migration, cross-boundary, representation, Marocco, Spain, Art film, enclave, exclave, contraband
On a blue background, an area is drawn with white. There are roads and houses.

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Publicerad

2024-11-29

Nummer

Nr 12 (2024): Mobile bodies and travelling theories in the Öresund and Gibraltar

Sektion

Artiklar