Traversing cinematic representations of borderland identity and belonging

In dialogue with Randa Maroufi and Bab Sebta (Ceuta's Gate)

Forfattere

Nøgleord:

film, art, borders, border studies, critical border studies, smuggling, smugglers, migration, cross-boundary, representation, Marocco, Spain, Art film, enclave, exclave, contraband
On a blue background, an area is drawn with white. There are roads and houses.

Downloads

Publiceret

2024-11-29

Nummer

Nr. 12 (2024): Mobile bodies and travelling theories in the Öresund and Gibraltar

Sektion

Artiklar