The Séance of Reading. Uncanny Designs in Modernist Writing by Professor Thomas Cousineau
DOI:
https://doi.org/10.35824/sjrs.v7i2.25976Keywords:
Manole complex, architectural body , modernist literature , uncanny designs , intellectual thrillerAbstract
Professor Cousineau demonstrates an impressive original scholarly kind of comprehension of modernist texts, submitting them under scrutiny with an archetypal critical lens and thus reveals “the uncanny return of the Manole Complex in nine masterpieces of literary modernism”. The intellectual spark that inspired Professor Cousineau was Mircea Eliade’s Commentaires sur la Légende de Maître Manole where Eliade’s claims that Manole’s wife does not actually die: “She is, rather, transformed; her soul leaves her body of flesh and bones and goes to live in the stone and plaster body of the monastery”. (Eliade, 1994, p.168) In each of the chapters of the volume under discussion, the author further elaborates on Eliade’s concept of architectural body, finding it under sundry metamorphoses in the iconic literary modernist works from Europe and USA.
References
Cousineau, T. (2023). The séance of reading: Uncanny designs in modernist writing. București: Editura Universitară.
Eliade, M. (1956). Forgerons et alchimistes [Blacksmiths and alchemists]. Paris: Editions Flammarion.
Eliade, M. (1957). Mythes, rêves et mystères [Myths, dreams, and mysteries]. Paris: Editions Gallimard.
Eliade, M. (1994). Commentaires sur la légende de maître Manole [Commentary on the Legend of Master Manole]. Paris: Editions de L’Herne.
Eliade, M. (1989). Le mythe de l’éternel retour: Archétypes et répétition [The myth of the eternal return: Archetypes and repetition]. Paris: Editions Gallimard.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Sorin Ciutacu
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).