Capitalul cultural, circuitul consumerist al literaturii și secularizarea istoriei. apariția romanului istoric românesc

Cultural capital, the consumerist cycle of literature, and the secularization of history: the emergence of the Romanian historical novel

Authors

DOI:

https://doi.org/10.35824/sjrs.v8i1.27416

Keywords:

historical novel, bestseller, paraliterature, mass culture, popular culture

Abstract

A non-specialized audience, seeking innocent literary pleasures and interested in formulaic texts, represents a distinct phase in social evolution, necessitating a bourgeois class shaped by the industrial spirit of easily consumable entertainment. In the Romanian cultural context, where the bourgeois class emerged decades after the establishment of a taste for the novel, the clear division between literature and paraliterature complicates the understanding of the historical and cultural evolution of this genre.  Entertainment for the masses cannot be directly equated with that intended for a specific social class, which is more of an exception. The Romanian novel of the long 19th century encompasses not only superficial imitations of successful European works but also attempts to adapt dynamic plots and melodramatic elements to a more erudite and refined audience. Romanian novelists frequently incorporate literary references, and their characters engage in rhetoric through monologues and dialogues on various profound themes. Reflexivity often takes precedence over action, regardless of the subgenre. Moreover, the historical novel employs official historiography and alternative narratives to reflect on the past and national destiny. Consequently, stereotypical plots drawn from Western novels undergo transformations that align with more sophisticated intellectual standards and literary expectations grounded in the reading of European novels in their original language.

Author Biography

Alexandra Olteanu, ”Alexandru Ioan Cuza” University of Iasi, Romania

https://www.webofscience.com/wos/author/record/MDT-9347-2025

https://www.scopus.com/authid/detail.uri?authorId=58318582100

Alexandra Olteanu, 3rd year PhD candidate, holds the position of Assistant Professor at Alexandru Ioan Cuza University of Iaşi, Romania. She is a member of the Digital Humanities Laboratory research team. Her main scholarly interests encompass Cultural Studies, Digital Literary Studies, Genre Theory, and Literary History and Theory. With a focus on 19th-century literature, she has extensively researched the evolution of the Romanian novel. Her recent publications include: “Modelul Gazetăresc al Banditului Social în Romanul Tâlhăresc al Secolului al XIX-lea” [The feuilleton model of the social bandit in the nineteenth-century outlaw novel] (2023); “The Ideological Instrumentalization of Literary Myths in 19th Century Romanian Literature” (2023); “Social Banditry and Femininity in the 19th Century Hajduk Novel” (2023); “The Novel as the Foundation of Romanian Literary Terminology in the Age of Cultural Modernity” (2023); “Romanul Judiciar. Către un Nou Subgen al Romanului Istoric Românesc” [The Judicial Novel: Toward A New Subgenre Of The Romanian Historical Novel] (2024); “Romantic Historicism and The Rise of the Historical Novel in the 19th Century Romanian Literature” (2024).

References

Baronzi, G. (1883). Biciul lui Dumnezeu: Roman istoric din viața lui Vlad Țepeș [The courge of God: A historical novel from the life of Vlad the Impaler]. București: Edit. Tipo-Litogr. Dor. P. Cucu.

Macri, P. (1886). Sugrumarea Teodorei. Copila domnului din București [The strangling of Teodora: The Lord’s daughter from Bucharest]. București: Editura Typo-Litografiei Dor. P. Cucu.

Moruzi, D. C. (1910). Înstrăinații: Studiu social în formă de roman [The outsiders: A social study in the form of a novel]. Vălenii de Munte: Editura Tipografiei Neamul Românesc.

Pelimon, A. (1868). Revoluțiunea Română din anul 1848 – Mușatoiul [The Romanian revolution of 1848 – The Mușat leader]. București: Typ. Michaiescu și Vaidescu.

Rădulescu-Niger, N. G. (1908). Magistrații noștri [Our magistrates]. București: Editura Biroului Universal.

Vatamaniuc, D. (1972). Nuvela istorică românească în secolul al XIX-lea [Romanian historical novella in the 19th century]. București: Editura Albatros.

Referințe secundare

Archer, J., & Jockers, M. L. (2016). The bestseller code: The anatomy of the Blockbuster Novel. London: Penguin Books Ltd.

Arnaud, N., Lacassin, F., & Tortel, J. (Edits.). (1970). Entretiens sur la paralittérature [Discussions on paraliterature]. Paris: Plon.

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Couégnas, D. (1992). Introduction à la paralittérature [Introduction to paraliterature]. Paris: Éditions du Seuil.

Emre, M. (2017). Paraliterary: The making of bad readers in postwar America. Chicago: The University Chicago Press.

Gelder, K. (2004). Popular fiction: The logics and practices of a literary fiction. London & New York: Routledge.

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Tortel, J. (1970). Qu’est-ce que la paralittérature? [What is Paraliterature?]. În N. Arnaud, F. Lacassin, J. Tortel (Edits.), Entretiens sur la Paralittérature [Introduction to paraliterature] (pp. 7-31). Paris: Plon.

Volovici, L. (2004). Apariția scriitorului în cultura română [The emergence of the writer in Romanian Culture] (Ed. a II-a). București: Curtea Veche.

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Published

2025-05-15

How to Cite

Olteanu, A. (2025). Capitalul cultural, circuitul consumerist al literaturii și secularizarea istoriei. apariția romanului istoric românesc : Cultural capital, the consumerist cycle of literature, and the secularization of history: the emergence of the Romanian historical novel. Swedish Journal of Romanian Studies, 8(1), 44–59. https://doi.org/10.35824/sjrs.v8i1.27416