Dacians, Varangians, Vlachs and The Golden Bough
DOI:
https://doi.org/10.35824/sjrs.v8i2.26500Keywords:
Aeneid, Byzantium, Carpathians, Christianity, Hermetic, Inferno, Mason, VikingsAbstract
The essay interprets four parts of Mihai Sadoveanu’s 1933 enigmatical novel The Golden Bough. The Dacian section focuses on the way geographical, historical, ethnical and social guide marks are introduced to define an uncertain moment in history, the late eighth century in the Carpathians. It also introduces the impetus that must have driven the author to do so and continues with an intertextual comparative reading with Eminescu’s poem The Ghosts, particularly on the depiction of the magus and the unexpected reasons behind the author’s choice, i. e. the Viking pathway. The Varangians segment highlights all seven occurrences of the Northmen collective personage within the story, with minimal historical contextualization of the 787-797 Byzantium, lying before the awkward discrepancy between the Northerners’ enhanced fictional role and the factual inexistence at that particular time and place. The Vlachs fragment presents the six occurrences of “Blacherne” in Sadoveanu’s novel, a documented linguistic and historic speculation of two Romanian scholars on the origin of the exonym “Vlach” as having its source in the Greek milieu of the early Eastern Roman Empire, and the role the Vikings might have played in its spreading, thus proposing an unaccounted-for rationale for the Varangians’ diegetic significance. The Golden Bough division depicts the similarities and the incongruities in comparative readings with Frazer’s anthropological approach and with Virgil’s Aeneid, suggesting a more adequate analogy with the Egyptian hermetic philosophy. The essay ends up with a brief expounding of Sadoveanu’s Masonic status and its likely function in initiating the imaginary Golden Bough.
References
Eminescu, M. (1978). Ghosts. In Mihai Eminescu: Poems (C. M. Popescu, Trans.). Eminescu Publishing House. Retrieved August 3, 2024, from https://www.gabrielditu.com/eminescu/ghosts.asp
Eminescu, M. (1980). Ghosts. In Mihai Eminescu: Poems (English versions and introduction by R. MacGregor-Hastie) (pp. 44-85). Cluj-Napoca: Dacia Publishing House.
Eminescu, M. (1998). Strigoii [Ghosts]. În Mihai Eminescu: Poezii [Poems]. București: Editura Didactică și Pedagogică.
Fărmuș, I. (2023). Sadoveanu – un constructor de punți peste timp, spațiu și… ideologii [Sadoveanu – A builder of bridges across time, space, and… ideologies]. Meridian critic, 43(2), 1–8. Retrieved August 3, 2024, from http://meridiancritic.usv.ro/uploads/MC%202023/43%20-%20MC%2002%20-%202023/II.11.%20Farmus%20Ioan.pdf
Frazer, J. G. (1894). The golden bough: A study in comparative religion (Vol. 1). New York & London: Macmillan and Co.
Genesios. (1998). On the reigns of the emperors (A. Kaldellis, Trans. & Commentary). Byzantina Australiensia, 11. Australian Association for Byzantine Studies. Retrieved July 13, 2024, from https://www.academia.edu/14504732
Genesius, I. (1834). Corpus scriptorum historiae byzantinae. Ex recognitione Caroli Lachmani. Bonnae: Impensis ed. Weberi. MDCCCXXXIV. Retrieved July 21, 2024, from https://books.google.ro/books?id=Nnh9yGH8fEQC
Genesius, J. (1978). [Reges] Iosephi Genesii regum libri quattuor [Kings. Joseph Genesios’ four books of the kings]. Corpus Fontium Historiae Byzantinae, 14. Berlin & New York: De Gruyter. Retrieved July 13, 2024, from https://archive.org/stream/cfhb-11.1-nicetae-choniatae-historia
Gherghel, I. (1923). Blachernae? sau Vlaherne! [Blachernae? or Vlaherne!]. ASSLI, 30(1), 86-87. retrieved July, 21, 2024, from https://dspace.bcu-iasi.ro/handle/123456789/68384
Gherghel, I. (1920). Câteva considerațiuni la cuprinsul noțiunii cuvântului „Vlach” [A few considerations on the content of the word "Vlach"]. Convorbiri Literare, 52(5–6), 3–16. Retrieved July 13, 2024, from https://dinitrandu.com/wp-content/uploads/2020/07/Cateva-contributii-ls-la-cuprinsul-notiunei-cuvantul-Vlach-I.-Gherghel-17p.pdf
Gherghel, I. (1927). Câteva precizări filologice-istorice [A few philological-historical additions]. ASSLI, 34(2), 58–60. Retrieved July 21, 2024, from https://dspace.bcu-iasi.ro/handle/123456789/68244
Ivancu, O. (2016). Mit, utopie, modernitate [Myth, Utopia, Modernity]. Incursiuni în imaginar [Incursions into the imaginary], (7), 169-178. DOI:10.29302/InImag.2016.7.9
Janin, R. (1969). La géographie ecclésiastique de l’empire byzantin [The ecclesiastical geography of the Byzantine Empire]. pt. 1: Le siège de Constantinople et in patriarcat œcuménique [The Seat of Constantinople and the Ecumenical Patriarchate]. Vol. 3: Les églises et les monastères [Churches and monasteries] (2nd ed.). Paris.
Jura, I. (1933). Mitul în poezia lui Eminescu [The myth in Eminescu’s poetry]. Paris: Librairie Universitaire J. Gamber.
Lamberz, E. (2008-2016). Concilium universale Nicaenum secundum, Concilii Actiones [Second Nicaean Council, Acts of the Council] (Vols. I-VII). Berlin/New York: Verlag Walter de Gruyter.
Marcea, P. (1981). Prefață [Preface]. In M. Sadoveanu, Creanga de aur / The Golden Bough (E. Farca, Trans.). Romanian-English bilingual edition. Preface by Pompiliu Marcea. Bucharest: Minerva Publishing House.
Pintescu, F. (2001). Présences de l’élément viking dans l’espace de la romanité orientale en contexte méditerranéen [The Vikings’ presence in Eastern Romance lands in a Mediterranean context]. Studia Antiqua et Archaeologica, VIII, 257–272. Retrieved July 13, 2024, from http://saa.uaic.ro/articles/SAA.8.2002.257-272.pdf
Paleologu, Al. (1978). Treptele lumii sau calea către sine a lui Mihail Sadoveanu [The stages of the world or the Mihail Sadoveanu’s path towards himself]. București: Cartea Românească.
Picioruș, D. O. (2017). De la Strigoii la Luceafărul [From Ghosts to The Morning Star]. Teologie pentru azi. Retrieved August 2, 2024, from https://www.teologiepentruazi.ro/2017/04/18/de-la-strigoii-la-luceafarul-1/
Popa-Lisseanu, G. (1941). Continuitatea românilor în Dacia. Dovezi nouă [The continuity of Romanians in Dacia. New arguments]. Analele Academiei Române: Memoriile secțiunii istorice, 23(9). Retrieved July 13, 2024, from https://bcub.ro/lib2life/Continuitatea%20romanilor%20in%20Dacia_Popa-Lisseanu%20Gheorghe_Bucuresti_1941.pdf
Sadoveanu, M. (1981). Creanga de aur/The golden bough (E. Farca, Trans.). Romanian-English bilingual edition. Bucharest: Minerva Publishing House.
Vasiliu, F. (2019). Creanga de aur [The Golden Bough]. Retrieved July 13, 2024, from https://www.radioromaniacultural.ro/exclusiv-online/creanga-de-aur-id16903.html
Vergil. (1910). Aeneid (T. C. Williams, Trans.). Boston: Houghton Mifflin Co. Retrieved August 2, 2024, from https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.02.0054
Vergilius. (1980). Eneida [Aeneid] (G. Coșbuc, Trans.; S. Petecel, Ed.). București: Editura Univers.
Vergilius Maro, P. (1900). Aeneid. Ed. J. B. Greenough. Boston: Ginn & Co., available at https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.02.0055 retrieved on August, 13th, 2024
Virgil’s Aeneid. (1909). (J. Dryden, Trans.). New York: P. F. Collier and Son. Retrieved August 13, 2024, from https://oll.libertyfund.org/titles/dryden-the-aeneid-dryden-trans
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Lucian Vasile Bâgiu

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).